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・ Pieter Soutman
・ Pieter Spierinckx
・ Pieter Steenwijck
・ Pieter Stemmet
・ Pieter Stevens II
・ Pieter Steyn
・ Pieter Stockmans
・ Pieter Stoop
・ Pieter Strydom
・ Pieter Stuurman
・ Pieter Swanepoel
・ Pieter Symonsz Potter
・ Pieter T
・ Pieter Tanjé
・ Pieter Teyler van der Hulst
Pieter Thijs
・ Pieter Timmermans
・ Pieter Timmers
・ Pieter Tjarck
・ Pieter Toerien
・ Pieter Valckx
・ Pieter van Abeele
・ Pieter van Aelst
・ Pieter van Aelst (17th century)
・ Pieter van Aelst III
・ Pieter van Anraedt
・ Pieter van Avont
・ Pieter van Berendrecht
・ Pieter van Bleiswijk
・ Pieter van Bloemen


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Pieter Thijs : ウィキペディア英語版
Pieter Thijs

Pieter Thijs, or Peeter Tysens (Antwerp, 1624?–1677) was a Flemish Baroque painter of portraits as well as religious and history paintings, whose work was heavily influenced by the courtly and elegant style of Anthony van Dyck.
==Biography==
Pieter Thijs was born in a modest family as the son of a baker. Thijs had three masters. He trained with Artus Deurwerdeers as a cabinet painter, in the style practiced in the workshop of Frans Francken the Younger, the father-in-law of Deurwerdeers. It is only after moving to the workshop of Anthony van Dyck that Thijs learned portrait and history painting and started copying the great masters. He is considered to be van Dyck's last pupil. Everything suggests he completed his training with Gonzales Coques, in whose workshop he subsequently worked as a master for more than three years. Thanks to the presence of the collection of George Villiers, 1st Duke of Buckingham, in Antwerp, he was able to study the paintings of the Cinquecento.〔 He became a master of the Antwerp Guild of St. Luke in 1644–45.〔
He then started out on a career that was successful despite the prevailing dire economic situation in Antwerp. He maintained a busy workshop that employed about twenty apprentices in the course of his career. In the 1660s he had enough work to keep six assistants busy. He obtained many commissions for altarpieces in churches in Flanders and Brabant as well as for portraits, and allegorical and mythological paintings from patrons in both the Southern Netherlands and the Dutch Republic. Through the international business connections of his father-in-law who ran a large import-export business in Antwerp with offices in the major ports and cities of Europe, he was able to sell his paintings to an international clientele and get commissions for altarpieces in Vienna and Croatia as well as for the Cologne Cathedral.〔 He enjoyed royal patronage. From 1647 onwards, he became a portrait painter as well as a tapestry designer for Archduke Leopold Wilhelm of Austria, then the Governor of the Southern Netherlands, while at the same time taking on commissions from the rival House of Orange in The Hague.〔(Hans Vlieghe, "Thijs, Pieter." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 19 Feb. 2014 )〕
He played a mayor role in Antwerp’s cultural life. He served as deacon and treasurer of the Antwerp Guild of Saint Luke and was the driving force behind the further development of the Chamber of rhetoric of this guild. He was able to persuade the local playwright William Ogier to compose several works for the theater.〔
He had a son by the same name and was the teacher of Jan Fransicus Lauwereyssens.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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